National Bestseller Winner of the National Book Critics Circle Award A New York Times Book Review Best Book of the Year
One of the Best Books of the Year: New York Times, Washington Post, Los Angeles Times, USA Today, Boston Globe, and Time
An instant classic of war reporting, The Forever War is the definitive account of America's conflict with Islamic fundamentalism and a searing exploration of its human costs. Through the eyes of Filkins, a foreign correspondent for the New York Times, we witness the rise of the Taliban in the 1990s, the aftermath of the attack on New York on September 11th, and the American wars in Afghanistan and Iraq. Filkins is the only American journalist to have reported on all these events, and his experiences are conveyed in a riveting narrative filled with unforgettable characters and astonishing scenes.
Brilliant and fearless, The Forever War is not just about America's wars after 9/11, but about the nature of war itself.
From the Trade Paperback edition.
Excerpts
From the book...
Only ThisThey led the man to a spot at the middle of the field. A soccer field, grass, with mainly dirt around the center where the players spent most of the game. There was a special section for the handicapped on the far side, a section for women. The orphans were walking up and down the bleachers on my side selling candy and cigarettes.
A couple of older men carried whips. They wore grenade launchers on their backs.
The people are coming, a voice was saying into the loudspeaker, and the voice was right, the people were streaming in and taking their seats. Not with any great enthusiasm, as far as I could tell; they were kind of shuffling in. I probably had more enthusiasm than anybody. I had a special seat; they'd put me in the grass at the edge of the field. In America, I would have been on the sidelines, at the fifty yard line with the coaches. Come sit with us, they'd said; you are our honored guest.
A white Toyota Hi-Lux drove onto the field and four men wearing green hoods climbed out of the back. There was a fifth man, a prisoner, no hood, sitting in the bed of the truck. The hooded men laid their man in the grass just off midfield, flat on his back, and crouched around him. It was hard to see. The man on his back was docile; there was no struggle at all. The voice on the loudspeaker said he was a pickpocket.
"Nothing that is being done here is against God's law," the voice said.
The green hoods appeared busy, and one of them stood up. He held the man's severed right hand in the air, displaying it for the crowd. He was holding it up by its middle finger, moving in a semicircle so everyone could see. The handicapped and the women. Then he pulled his hood back, revealing his face, and he took a breath. He tossed the hand into the grass and gave a little shrug.
I couldn't tell if the pickpocket had been given any sort of anesthesia. He wasn't screaming. His eyes were open very wide, and as the men with the hoods lifted him back into the bed of the Hi-Lux, he stared at the stump of his hand. I took notes the whole time.
I looked back at the crowd, and it was remarkably calm, unfeeling almost, which wasn't really surprising, after all they'd been through. A small drama with the orphans was unfolding in the stands; they were getting crazy and one of the guards was beating them with his whip.
"Get back," he was saying, drawing the whip over his head. The orphans cowered.
I thought that was it, but as it turned out the amputation was just a warm-up. Another Toyota Hi-Lux, this one ma-roon, rumbled onto midfield carrying a group of long-haired men with guns. The long hair coming out of their white turbans. They had a blindfolded man with them. The Taliban were known for a lot of things and the Hi-Lux was one, jacked up and fast and menacing; they had conquered most of the country with them. You saw a Hi-Lux and you could be sure that something bad was going to happen soon.
"The people are coming!" the voice said again into the speaker, louder now and more excited. "The people are coming to see, with their own eyes, what sharia means."
The men with guns led the blindfolded man from the truck and walked him to midfield and sat him down in the dirt. His head and body were wrapped in a dull gray blanket, all of a piece. Seated there in the dirt at midfield at the Kabul Sports Stadium, he didn't look much like a man at all, more like a sack of flour. In that outfit, it was difficult even to tell which way he was facing. His name was Atiqullah, one of the Talibs said.
The man who had pulled his hood back was standing at midfield, facing the crowd. The voice on the loudspeaker introduced him as...
Reviews
The New York Times 10 Best Books of 2008...
"Harrowingly detailed . . . Filkins makes us see, with almost hallucinogenic immediacy, the true human meaning and consequences of the 'war on terror.'"
Time Best Nonfiction Books of 2008...
"The gaping wounds of Iraq and Afghanistan have produced a torrent of words, but no single volume so far has the precision and power of The Forever War . . . Filkins' set pieces have the absolute clarity of lightning flashes that burn away the fog of war."
USA Today 10 Best Books of 2008...
"Not since Michael Herr in Dispatches . . . has a reporter written as vividly about combat as Filkins does from Afghanistan and Iraq."
-Los Angeles Times Favorite Books 2008...
"Filkins's meticulously constructed vignettes . . . illuminate and humanize the battlefields of Iraq and Afghanistan."
The Boston Globe's Year's Best Books...
"The Forever War . . . achieves a gripping, raw immediacy."
Washington Post Book World Best Nonfiction of 2008...
"Splendid."
Dave Eggers, Guardian Best Books of the Year...
"Dexter Filkins's The Forever War is the best piece of war journalism I've ever read. He paints a portrait of war that is so nuanced, so filled with absurdities and heartbreak and unexpected heroes and villains, that it makes most of what we see and hear about Iraq and Afghanistan seem shrill and two-dimensional by comparison. And yet, as tragic as the events he describes are, the book manages to be a thing of towering beauty."
-George Packer, author of The Assassins' Gate: America in Iraq...
"The Forever War is already a classic--it has the timeless feel of all great war literature. Dexter Filkins's combination of courage and sensitivity is so rare that books like his come along only once every major war. This one is ours."
Jeffrey Goldberg, author of Prisoners: A Muslim and a Jew Across the Middle East Divi...
"Dexter Filkins is the preeminent war correspondent of my generation, fearless, compassionate, and brutally honest. The Forever War is his astonishing story. It is one of the best books about war that I have ever read. It will stay with me forever."
About the Author
Dexter Filkins, a foreign correspondent for The NewYork Times, has covered the wars in Afghanistan and Iraq since 2001. Before that, he worked for the Los Angeles Times, where he was chief of the paper's New Delhi bureau, and for TheMiami Herald. In 2009, he was part of a team of Times reporters who won a Pulitzer Prize for covering Afghanistan and Pakistan. He has received a George Polk Award and two Overseas Press Club awards. Most recently, he was a fellow at the Carr Center for Human Rights Policy at Harvard University. He lives in New York City.